Features

  • Le postillon de Lonjumeau 1836

    Le Postillon de Lonjumeau

    The history of opera is littered with shipwrecks which sail with great success when first launched only to sink into oblivion for one reason or another. Some are lost forever and some are re-floated only to sail out briefly before returning to dry-dock. It seems that ‘Le Postillon de Lonjumeau’ has become something of a pleasure boat which is only given the odd cruise in its home waters of France, kept afloat almost solely by its famous tenor aria of the same title. It is an aria full of verve, humour, melody requiring great vocal skill.

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  • Pietro Mascagni: Silvano

    Five Operas Worth Re-Discovering

    Quality certainly isn’t the only criterion that decides whether a work of art survives or not: luck and a few other rather aleatory factors seem to play a major role. In today’s standard repertoires we can find works that should not have survived the decade …

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  • Dubrovsky

    Dubrovsky

    Nápravník’s accomplishments as a composer are not the main reasons for his place in Russian music history as he is best known for being the principal conductor at St. Petersburg for over 50 years, and unlike some now more famous Russian composers of his time, …

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  • Paolo Tosti

    Tenors & Italian Art Song

    What crosses one’s mind if confronted with the terms “Italian song” and “Italian art song”? Well, titles like O sole mio and Torna a Surriento are for sure common connotations, as well as Mamma or Incantesimo. Sure, the first two are Neapolitan songs, and the latter are

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  • Chaliapin 1

    Legendary voices in song

    Before the advent of discography, songs were rarely included by opera singers in their repertoire but they made exception for folkloristic songs especially in Germany, Russia and England, which were deemed suitable for concerts and refined salons.

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